DJI’s new RS4 and RS4 Pro are hands-down our favorite camera gimbals, and they’re even better with the Focus Pro system
Super-steady handheld filmmaking made easy
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Serious filmmakers go to great lengths to get steady footage, even on low-budget indie productions, donning bulky shoulder mounts, setting up a complicated rigs, or attaching a gimbal.
The latter is the most compact and popular option, but users will be all too familiar with how gimbals can be extra fiddly to initialize, and prone to unwanted shakes on set. And with thebest mirrorless camerasoffering increasingly effective in-body image stabilization, is there still a place for the humble camera gimbal? Looking at the newDJI RS 4, we’d have to say yes.
DJIhas long been the top name in the stabilization game, as seen in our favoritevlogging camera, the gimbal-equippedPocket 3,superb droneslike the recent TechRadar Choice Awards winner theDJI Mavic 3 Pro, and more serious filmmaking gear like the full-frameDJI Ronin 4D8K. Now we have the latest generation of camera gimbal designed for mirrorless camera systems, and we wax lyrical about it in ourRS 4 review. It’s the best camera gimbal of its kind that we’ve ever used.
The DJI RS 4 was launched alongside the DJI RS 4 Pro and the DJI Focus Pro system, which offers focus-assist tools such as a LiDAR autofocus system for manual focus lenses. The RS 4 costs $549 / £469 / AU$799, while the Combo kit is $719 / £619 / AU$999 and adds some follow-focus tools: a Focus Pro Motor, Focus Pro Motor Rod Mount kit, and Focus Gear Strip. The RS 4 Pro is designed for weightier camera and lens pairings, and costs $869 / £749 / AU$1,299 as a standalone or $1,099 / £949 / AU$1,599 for the Combo kit.
Focus Pro items such as the LiDAR can be purchased individually, or you can get the whole lot in the DJI Focus Pro All-In-One Combo for $1,849 / £1,449 / AU$2,799.
Versatile, feature-packed, and easy to use
There’s no getting around the common frustrations that come with gimbals, and which only intensify when you’re under pressure on set. It’s enough of a stress to make you consider shooting handheld instead, especially when you consider the excellent video stabilization offered by cameras such a theSony ZV-E1andPanasonic S5 II. However, best-in-class in-body image stabilization still doesn’t compare to the smoothness you get with a gimbal. If only a gimbal could be super-quick and painless to set up and versatile for shooting at awkward angles… Well, with the RS 4, that’s now a reality.
In testing for our review, the RS 4 proved super-easy to use. It’s easy to make adjustments on the fly, and with its extra longarmand redesigned horizontal plate it’s easier than ever to transition between vertical and horizontal modes, as well as attaching extra camera accessories without impeding the gimbal’s function. It’ll accept a camera and lens combination up to 6.6lbs / 3kg (if your gear is heavier then the Pro version is the better option, with a max payload of 10lbs / 4.5kg).
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With the Combo kit you get a Focus Pro motor that makes manual focusing much easier, because you can avoid touching the lens itself. But if you want DJI’s best LiDAR powered autofocus for manual-focus lenses, or remote monitoring, you’ll need to fork out extra for some of the Focus Pro items.
There’s no getting around how expensive the DJI RS 4 and DJI RS 4 Pro are, especially when you add in some of the Focus Pro items, but there really is no rival that offers such excellent features. You might not need all of what’s on offer, but knowing just how versatile and easy to use, this camera gimbal system is, and how effectively it produces smooth footage, will only make you want to use it all the more. For more details check out theDJI website.
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Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other.
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